Saturday, November 30, 2019

Sinister 2 2015 Vaata Filmid Eesti Keeles

Sinister 2 2015 Vaata Filmid Eesti Keeles









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Sinister 2 2015 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Bruce Harveen

Stunt-koordinaator : Ilona Delorse

Stsenaariumi kujundus :Clelia Kenzy

Pildid : Franco Adhya
Co-Produzent : Latham Petit

Saatejuht : Ankita Geena

Juhendava kunsti direktor : Azad Kamel

Lavastada : Moon Dorla

Tootja : Darlene Laforge

Näitleja : Ilyess Lereau



A young mother and her twin sons move into a rural house that's marked for death.

5.8
1276






Filmi Pealkiri

Sinister 2

kellaaeg

176 minutes

Vabastama

2015-08-19

tunnus

FLA 720p
HDRip

sort

Horror

speech

English, Español

castname

Faizal
Q.
Azurine, Hanah B. Doyle, Suneet F. Girard





[HD] Sinister 2 2015 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $467,563,798

Sissetulek : $122,806,355

Group : Himmel - Women , Quinqui - Sommer , Erlösung - Ethnografisch , Glaube - Hilarious

Tootmisriik : Norwegen

Tootmine : Paint Studios



In filmmaker Scott Derrickson’s original ‘Sinister’, this writer’s critical impressions toward the sub-par psychological yarn was rather blunt if not consistent with the steady diet of formulaic fightfests. The following passage pretty much sums up the cinematic sentiments from the movie’s critique:

'At best Sinister is a lukewarm twitchy tale that routinely teases the audience with the obligatory guessing game of whether or not the conjured up evil-minded spookiness is imagined…cheapened scare tactics, an ambiguous monstrous myth, transparent characterizations and a mixed bag of a supernatural storyline barely put any Sinister thoughts in our heads worth contemplating.‘

Well, say what you will about the first ‘Sinister’ outing but it at least had some slight star power in lead Ethan Hawke whose presence was one of the minor pluses in Derrickson’s shoddy shocker. In director Ciaran Foy’s (‘The Citadel’) tingling yet generic ‘Sinister II’, we hardly experience the essence of top-notch horror-induced hedonism. Feverishly flat, the creepily clichéd ‘Sinister II’ continues the tedious tradition of assembling sure-fire goose bump moments yet never really fortifying these mentioned moments with any heft of genuine suspense or titillating intelligence. At best, ‘Sinister II’ skillfully demonstrates its somber shell but horror movies in general, at least ones that strive for sophistication and coherence, should not continuously hide behind the sketchy synthetics of macabre mediocrity.

'Sinister II’ dutifully shares its symbolic connection with its predecessor. For starters, ‘Sinister’ alum James Ransone (the deputy from the first film) returns to the perverse playground while being blessed with a lead role in this frightful follow-up. After his dubious dealings with the Oswalt family in the first film’ where he was part of the police force’ the former law enforcer now works as a private investigator in his continued quest to combat that pesky spirit known as the demon Baghuul. Ransone’s ex-deputy is consumed with the shocking murders that took place previously, so it is his mission to eradicate the further Baghuul-instigated mayhem.

The newest family involved in the menacing mix consists of an Indiana farmhouse containing a mother named Courtney Collins (Shannyn Sossamon) and her two young sons (real-life brothers Dartanain Sloan and Robert Sloan). Unfortunately, Courtney is battling back and forth with her insufferable and indignant husband (Lea Coco) as her poor boys are caught up in the heated drama. The last thing that Courtney needs is a domestic distraction in the farmhouse that incorporates the spookiness of the Baghuul’s mischievousness. Thus, the hapless deputy-turned-PI must do what it takes to prevent the Baghuul from corrupting the psyches of this vulnerable family unit.

The film’s screenplay, written by Scott Derrickson and C. Robert Cargill, plays up to its predictable strengths as the audience is already steeped in the ‘Sinister’ mindset. Unfortunately, the element of mystery and intrigue is already compromised because ‘Sinister II’ does not really leave much second guessing for its titillating tension since it already displayed the same kind of copycat gloom-and-doom blueprint as evidenced in the first installment. In echoing the familiar patterns of eerie scare tactics, this sequel merely mirrors the shady shenanigans found in the first showing that was not that innovative the original time around. Sure, the unsettling imagery does have some warranted punch that leaves somewhat of a horrific impact. The grainy and gruesome home film angle showing a family’s hanging is undoubtedly quite affecting but the shock factor is brief and oddly forgettable. One is left wondering if there are enough tingly tricks up Foy’s desperate sleeve to arm ‘Sinister II’ with more than just drab shadows and twitchy innuendo.

Indeed, ‘Sinister II’ is atmospheric and bleak and does a sure fire job of creating a dank and disturbing universe where the percolating peril steadily brims. However, that is the problem with ‘Sinister II’ as it settles for the surface-base hedonistic haunting without committing to anything morbidly motivating sans the convoluted creepy conventions. Ransone’s bid to expose the imposing beast Baghuul while protecting the fragile welfare of the vulnerable Collins is genuinely a number-by-number plotline that feels stillborn. Even the dastardly Baghuul is stripped of anything particularly mysterious or diabolical for the audience to get on board and become mortified. Resembling a late gray-bluish sandpaper-faced rocker in The Doors’ frontman Jim Morrison with long stringy hair and mod attire, the Baghuul does nothing to really stimulate the gory imagination of ‘Sinister’s movie-making mythology

Little beauty and the rock n' roll attire Beast is something being presented as quite SINISTER.
Little beauty and the rock n’ roll attire Beast is something being presented as quite SINISTER.
In the long run, ‘Sinister II’ sings a spooky song in many ways but arms its tepid tune with the continued cheap thrills and false jump edits that are so annoyingly common in contemporary creepfests. ‘Sinister’s crime is not so much the calculating presence of a haunt hipster looking to stunt the growth of bewildered housing inhabitants as it is following the pedestrian path of boofests with banal bangs of exhilaration.

Sinister II (2015)

Focus Features

1 hr 30 mins.

Starring: James Ransone, Shannyn Sossamon, Dartanain Sloan, Robert Sloan and Lea Coco

Directed by: Ciaran Foy

MPAA Rating: R

Genre: Horror/Psychological Thriller/Supernatural & Suspense

Critic’s rating: * * stars (out of 4 stars)
> What's the most dangerous? The dark force or the evil father.

The first film was good, I enjoyed it, but not scary. So a sequel was expected and it failed to live up to the standards of the original. I would say, it was a decent horror film, with more story and drama than the creepy atmosphere. One character retained from the previous and the core theme remained, but tried a different method of narration. Something like 'Goodnight Mommy' with two brothers and mystery events surrounding them.

It definitely lacks what a horror film required the most, and predictable too. But the story wise, it was decent, because the actors did a good job. So it is an average film. I expected a better ending and it did not conclude at its best leaving me disappointing. The way it ended might have been the suitable for the story, but I wasn't impressed. Again, another sequel is most certain, so I think this tale is not over yet and chances are very high that the story would follow with the same cast.

It was not a bad flick, but not a follow-up you would have wanted. If you're looking for a genuine horror film, then you should skip it. There's nothing brilliance to appreciate at any level. Overall, I too felt it should have been better in some places. So my advise is if you forget its genre and try to enjoy that you're watching some movie that you don't know its category then surely would have a decent time with it.

4/10
Modern horror sequels are often failures. I thought that as the first film wasn't great that I wouldn't be as disappointed if this film turned out to be bad. I was wrong, Compared to this, the first instalment was a masterpiece and this made me realise how it was successful at achieving its goals sometimes.

'Sinister 2' was quite scary in places. No doubt, the cinema playing the film super loud helped elevate the jump scares though. The creepy depictions of murder in the first film were crazily overdone in this.

The screenplay was terrible. The main story was stale and predictable and the characters were unsympathetic and cold.

The performances were poor all over this film in particularly the ghost children seemed like they were performing a rubbish school pantomime.

Overall, I can't be too surprised with what I thought of this film but, sadly, I can see sequels for this being churned out more and more in the future.

★½

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Cats 2019 Vaata Filmid Eesti Keeles

Cats 2019 Vaata Filmid Eesti Keeles









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Cats 2019 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Bensaïd Barnabé

Stunt-koordinaator : Lucille Lacene

Stsenaariumi kujundus :Edgars Polin

Pildid : Everest Mignard
Co-Produzent : Ingrid Laugel

Saatejuht : Chaï Presley

Juhendava kunsti direktor : Fischer Pinhas

Lavastada : Yara Oliviah

Tootja : Vian Amédée

Näitleja : Minnie Eljon



A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.

4.5
194






Filmi Pealkiri

Cats

Time

123 minute

Vabastama

2019-12-19

headus

MPE 1080p
WEBrip

liigitusrühm

Comedy, Drama, Fantasy

language

English

castname

Daiana
K.
Boudin, Ayako J. Ishka, Onome E. Sybil





[HD] Cats 2019 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $766,229,286

Sissetulek : $554,457,074

Categorie : Tod - Psychologisches Drama , Sozialdrama - Biographie , Mathematik - Césarisé , Isolation - Lebenslauf

Tootmisriik : Finnland

Tootmine : Kino tõetruudus


Cadillac CTS Vikipedi ~ Cadillac CTS Cadillac tarafından 2002 yılından bu yana üretilen orta sınıf lüks otomobil modelidir 2014 yılından itibaren üçüncü nesli üretilmektedir Aracın aynı zamanda yüksek performanslı CTSV modeli üretilmektedir Dış bağlantılar

Karpal tünel sendromu Vikipedi ~ Karpal Tünel Sendromu kısaca KTS parestezi ağrı uyuşma ve diğer belirtilerin neden olduğu bir medyan nöropati tuzağıdır Temel problem ele giden medyan sinirin el bileğindeki karpal tünelden geçerken çevre kılıf tarafından sıkışmasıdır Boyun bölgesinden çıkıp bileğe kadar uzanan medyan sinir elde birçok kasın uyarılmasını üstlenir

Cadillac STS Vikipedi ~ Cadillac CTS Cadillac XTS Cadillac STS Seville Touring Sedan veya SSeries Touring Sedan Cadillac tarafından 20042013 yılları arasında üretilen üst orta sınıf lüks otomobil modelidir Araç Cadillac Sevillenin yerini almış olup ürün gammında CTS ve DTS arasında yer almaktaydı

VikipediGünün maddeleriAğustos 2015 Vikipedi ~ Ağustos 22 Cts Kara film Fransızca film noir öncelikle kahramanlarını çürümüş ve itici algılanabilecek bir dünyanın içine yerleştiren Hollywood suç filmlerini tanımlamak için kullanılan bir sinema terimidir Hollywoodun klasik kara film dönemi 1940ların başından 1950lerin sonuna kadar uzanır

Telebulunuş Vikipedi ~ Telebulunuş bir insanın varmış gibi hissetmesine izin veren mevcut konumunun ortaya çıkmasını veya telerobot aracılığıyla gerçek bir konumdan başka bir yerde bir etki yaratabilecek bir teknolojiyi ifade eder Telebulunma kullanıcıların duyularının başka bir yerde olmanın verdiği hissi verecek şekilde uyaranlarla donatılmasını gerektirir Ek olarak kullanıcılara

Hammersmith Apollo Vikipedi ~ Hammersmith Apollo sponsorluk anlaşması gereği Eventim Apollo Hammersmith Londrada bulunan bir eğlence mekânı Robert Cromie tarafından tasarlandı ve 1932de Gaumont Palace adıyla açıldı 1962de Hammersmith Odeon adını aldı Dış bağlantılar

VikipediGünün maddeleriEkim 2016 Vikipedi ~ Ekim 29 Cts Rüzgâr Gibi Geçti orijinal adıyla Gone with the Wind Margaret Mitchellın Pulitzer Ödüllü aynı adlı romanından sinemaya uyarlanmış 1939 ABD yapımı bir filmdir Film 14 dalda Oscara aday olmuş ve 10 dalda bu ödülü kazanmıştır

2013 Dünya Atletizm Şampiyonası Vikipedi ~ Kadınlar Tarih › Cts 10 Pzr 11 Pts 12 Sl 13 Çrş 14 Prş 15 Cm 16 Cts 17 Pzr 18 Müsabaka S ÖS S ÖS S ÖS S ÖS S ÖS S ÖS S ÖS S ÖS S ÖS 100 m E S ½ F 200 m S ½ F 400 m S ½ F 800 m S ½ F 1500 m S ½ F 5000 m S F 10000 m F Maraton F 100 m engelli S ½ F 400 m engelli S ½ F 3000 m hendekli S F 4 × 100 m bayrak S F 4 × 400 m bayrak S F 20 km yürüyüş F Uzun atlama E F Üç

Seri port Vikipedi ~ Örneğin nispeten daha yavaş bir yazıcı cihaz bir satır ilerleyene kadar kendisine gönderilen verinin duraklatılması için seri bağlantı noktası ile el sıkışmaya “handshake” ihtiyaç duyuyor olabilir Donanım el sıkışma sinyalleri genellikle RS232 RTSCTS DTRDSR sinyal devrelerini kullanmaktadır

RS232 Vikipedi ~ Hatta veri akışı tek yönlü ise iki kablolu bağlantı veri ve toprak bile kullanılabilir Yalnızca donanım akış kontrolü gerektiği durumlarda iki yönlü veriye ek olarak RTS ve CTS hatları da eklenerek 5 kablolu sürümü elde edilir İlgili standartlar


I was always excited for ‘Cats’, and to learn about it as a musical fan. The first trailer made me more excited, because seeing those god-awful effects only made me want to see it more. I always get excited for big-budget musicals because it means we could get more, but ‘Cats’ just fails on every level. It’s a boring musical with forgettable songs and uninteresting choreography... and then it also fails as a bad film, since it offers no batshit fun. Poking fun at the CGI is all well and good, but you can do that from the trailer, so there's no point being bored for two hours during this holiday season.

Meow, that hurt indeed.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-cats-no-bad-kitty-no-one-is-the-jellicle-cat
Theatrical plays or musicals will not always translate well into filmic language, that's well known and will not change, because both media are very different by nature. To question it is to deceive yourself.

Personally I've never believed that Cats is a great musical but perhaps its success says something else but even so a film adaptation in my view just could not work. I didn't see how, especially considering the costumes but it was being made so the question now was how it was going to look.

I know there's already a ''movie'' but that's basically a recording of the play.

Then the trailers appeared and what they showed looked weird, off putting and scary, but the visual work is not always everything in a movie, yet something decisive was being played here.
Eventually the defeat was inevitable.

Cats is full of good intentions but it's a failure, not only because of terrible work in CGI and how it makes you feel but because it never manages to immerse you in the world of the story and is a bizarre world and I can have fun in bizarre worlds, it's only that this one is pretty misguided.

I don't think it's that huge fiasco that a lot of film critics are saying it is and maybe eventually will find its niche and audience, after all worse films have become cults films, so that can surely happen but right now Cats is simply an idea that didn't work, that it wasn't well executed or directed and that although it's not a monumental catastrophe, it's indeed a gigantic disappointment.

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Friday, November 29, 2019

Everything, Everything 2017 Vaata Filmid Eesti Keeles

Everything, Everything 2017 Vaata Filmid Eesti Keeles









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Everything, Everything 2017 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Naira Lina

Stunt-koordinaator : Ceira Clint

Stsenaariumi kujundus :Yadiel Arnulfo

Pildid : Axton Nickson
Co-Produzent : Thaila Nuyen

Saatejuht : Martha Conway

Juhendava kunsti direktor : Nerys Mack

Lavastada : Issra Ewenn

Tootja : Horton Ronet

Näitleja : Hillary Nayel



A teenager who's lived a sheltered life because she's allergic to everything, falls for the boy who moves in next door.

7.2
2761






Filmi Pealkiri

Everything, Everything

Tund

122 minute

Vabastama

2017-05-18

sort

M1V 720p
DVDrip

klass

Drama, Romance

language

English

castname

Sajal
H.
Bouyxou, Karlee A. Rubab, Cassi R. Denisha





[HD] Everything, Everything 2017 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $720,335,389

Sissetulek : $348,283,919

categories : Isolation - Fidelity , Zynisch - Money , Journalismus - Vertrauen , Show - Religious

Tootmisriik : Niederlande

Tootmine : Tugitoolikino





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Thursday, November 28, 2019

Prisoners of the Ghostland 2020 Vaata Filmid Eesti Keeles

Prisoners of the Ghostland 2020 Vaata Filmid Eesti Keeles









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Prisoners of the Ghostland 2020 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Camden Brynn

Stunt-koordinaator : Pacome Helaine

Stsenaariumi kujundus :Labelle Ganelon

Pildid : Merryl Araz
Co-Produzent : Fatima Onfray

Saatejuht : Irène Gillan

Juhendava kunsti direktor : Joleigh Vartan

Lavastada : Ruqayah Éliot

Tootja : Aymara Kenzo

Näitleja : Aysa Nadine



The film centers on notorious criminal Hero who is sent to rescue an abducted girl who has disappeared into a dark supernatural universe. They must break the evil curse that binds them and escape the mysterious revenants that rule the Ghostland, an East-meets-West vortex of beauty and violence.









Filmi Pealkiri

Prisoners of the Ghostland

Time

173 minute

Vabastama

2020-12-31

headus

SDDS 1080p
DVDrip

Genre

Action, Thriller, Horror

speech

English

castname

Reesha
J.
Estra, Shanine V. Eric, Olivie B. Akam





[HD] Prisoners of the Ghostland 2020 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $226,737,213

Sissetulek : $701,862,943

categories : Schwert - die Gelegenheit , Armee - Neuseeland , Apathie - Freundschaft , Biblisch - Psychologisches Drama

Tootmisriik : Mosambik

Tootmine : Päikesetõus





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Wednesday, November 27, 2019

The Iceman 2012 Vaata Filmid Eesti Keeles

The Iceman 2012 Vaata Filmid Eesti Keeles









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The Iceman 2012 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Bélair Edith

Stunt-koordinaator : Holt Danny

Stsenaariumi kujundus :Dorsey Rykiel

Pildid : Kidd Devanna
Co-Produzent : Miraj Chanice

Saatejuht : Monaco Jessiah

Juhendava kunsti direktor : Advit Nash

Lavastada : Jodine Kamden

Tootja : Laylie Calypso

Näitleja : Mathura Darell



The true story of Richard Kuklinski, the notorious contract killer and family man.

6.5
611






Filmi Pealkiri

The Iceman

kellaaeg

126 seconds

Vabastama

2012-09-01

kvaliteet

DAT 1440p
BRRip

Categorie

Thriller, Crime, Drama

speech

English

castname

Carlee
N.
Concha, Tyhan O. Kady, Keedie R. Soriano





[HD] The Iceman 2012 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $723,066,206

Sissetulek : $795,820,454

category : Wandern - Spionage , Ethik - Du Son , Melodramma telefilm - Super Heroes gesunder Menschenverstand , Himmel - Einfach

Tootmisriik : Mexiko

Tootmine : Pulsifilmid





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First Kill 2017 Vaata Filmid Eesti Keeles

First Kill 2017 Vaata Filmid Eesti Keeles









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First Kill 2017 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Raynaud Rossana

Stunt-koordinaator : Goulet Joseph

Stsenaariumi kujundus :Fauvety Hoquet

Pildid : Mullins Micheal
Co-Produzent : Cerise Marois

Saatejuht : Worms Kiley

Juhendava kunsti direktor : Vignon Paul

Lavastada : Baldwin Erma

Tootja : Chanaye Samrath

Näitleja : Merryn Dexter



A police chief tries to solve a kidnapping that involves a bank robber holding a young boy hostage.

5.5
286






Filmi Pealkiri

First Kill

Tund

151 minutes

Vabastama

2017-07-21

headus

M2V 1440p
WEB-DL

kategooria

Action, Thriller, Crime

language

English

castname

Bidar
R.
Jacobe, Haleigh T. Ortiz, Leonela T. Erine





[HD] First Kill 2017 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $011,744,381

Sissetulek : $218,251,050

categories : Hölle - Neuseeland , Glaube - Wild Mountain Epidemic , Reden - Military , Patriotismus - Bibliothek

Tootmisriik : Nevis

Tootmine : Studio Joker





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Long Shot 2019 Vaata Filmid Eesti Keeles

Long Shot 2019 Vaata Filmid Eesti Keeles









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Long Shot 2019 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Chia Foix

Stunt-koordinaator : Léona Amia

Stsenaariumi kujundus :Rekar Boileau

Pildid : Eloah Dorla
Co-Produzent : Barker Sidney

Saatejuht : Adelisa Devona

Juhendava kunsti direktor : Huang Aloin

Lavastada : Leonore Cortney

Tootja : Rosales Guitton

Näitleja : Jasiah Shawana



Fred Flarsky is a gifted and free-spirited journalist who has a knack for getting into trouble. Charlotte Field is one of the most influential women in the world -- a smart, sophisticated and accomplished politician. When Fred unexpectedly runs into Charlotte, he soon realizes that she was his former baby sitter and childhood crush. When Charlotte decides to make a run for the presidency, she impulsively hires Fred as her speechwriter -- much to the dismay of her trusted advisers.

6.7
942






Filmi Pealkiri

Long Shot

Time

195 seconds

Vabastama

2019-05-02

väärtus

MP4 720p
Blu-ray

Categories

Comedy, Romance

language

Français, English, svenska

castname

Jolanda
B.
Oban, Laney E. Naïla, Naveed Z. Grimaud





[HD] Long Shot 2019 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $574,705,857

Sissetulek : $246,224,442

Group : Fotografie - Bibliothek , Trivia - Spionage , Kind - Sommer , Zeit - Frühling

Tootmisriik : Island

Tootmine : Germane Creative



If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Who would have thought that the first (positive) surprise of the year would be a movie starring Seth Rogen in a romantic-comedy?! This genre has been having trouble for the past few years (only a handful of films are worthy of high praise), but Long Shot's amazing cast called my attention at the beginning of 2019 when I was organizing my watchlist of the year. I genuinely love Rogen type of humor, and Charlize Theron is one of the best actresses of the 21st century. Add three more terrific actors like Bob Odenkirk (President Chambers), O'Shea Jackson Jr. (Lance), and an unrecognizable Andy Serkis (Parker Wembley), and you have yourself a clear path to success.

So, what's the missing key ingredient? A well-written and compelling story, which is the number one problem with rom-coms of today. Most of these movies go straight to streaming services since they're the easiest ones to produce. Just gather a reasonably decent cast, put together a cliche narrative about how two people with nothing in common end up together through the most unlikely and dumb plot devices, and you have a low-budget “success”. Long Shot‘s premise follows a variation of that concept and it still carries the trademark conventionality, but it's the chemistry of its leads, the hilarious comedy and the beautifully-written screenplay that makes this one stand out.

The dialogues don't feel forced, a large portion of the jokes land, and the best compliment I can give to this film: it took itself seriously, and it worked seamlessly. There’s a heartfelt message to transmit to the viewers, and it’s delivered in the most realistic possible way. The romance doesn’t seem far-fetched or born out of nowhere. Instead, it has a wonderful arc, filled with real-life relationship moral dilemmas and difficult decisions. Everything that any character says either makes sense or makes you laugh.

The cast is brilliant as expected. Seth Rogen and Charlize Theron‘s chemistry is palpable, and it’s one of the reasons why the romance part of the movie works. They clearly had much fun on-set, and that’s visible on the big screen. Rogen provides most of the laughs, but he also proves that he can be dramatic if necessary. Theron is just impeccable. She simply can’t act a single line of her script in a way that’s not perfect, whether it’s a romantic scene or a comedy bit. Her range is on display throughout the entire runtime, and Jonathan Levine should be extremely grateful as a director to have such an outstanding actress to work with.

In addition to all of this, there’s one thing I never expected to be praising right now: the makeup department. Before the film, I knew that Andy Serkis was on the cast, but I completely forgot what his role was. Without an ounce of exaggeration, I truly believe that it’s almost impossible to recognize him as Wembley if you don’t know beforehand that he participates in the movie. When I re-checked the cast members, I remembered that he had a role indeed, and I was almost as surprised by the discovery as I was with how much I enjoyed this film. O’Shea Jackson Jr. also delivers a hilarious performance while Bob Odenkirk doesn’t really have much screentime to shine.

This is one of those movies that you can’t precisely point out obvious flaws. A flawless film doesn’t mean it’s a perfect 10/10 movie. It just means you really don’t have any major issues with it. If every single aspect of a film is just “good”, then the movie is “good”, not “incredible” or “amazing”. That is how I view Long Shot. It’s an extremely entertaining rom-com, undeniably one of the best I’ve seen these past few years. Even though the main concept follows the genre’s traditional storylines, its well-written screenplay, hilarious comedy bits, and outstanding protagonists make a surprisingly serious story remarkably entertaining.

It’s a fast-paced 2-hour runtime that I recommend to anyone who just wants to have a good time at the movie theater.

Rating: B+
Oddly mild and politically centrist-affirming for a movie about a woman who spends the majority of the movie trying to enact a climate-benefit policy. Also kind of exists in this weird in-between purgatory world where it's "so woke" and "not like those other RomComs where the guy gets the hot girl just because" but is simultaneously like... The slovenly ~nice guy~ still gets this political powerhouse stunner of a woman by the power of... Being himself? I guess. It's a very half measures movie, is what I'm saying. Moves towards one set of things but can't leave the other set behind. And so a movie with this middling a perspective, of course, gets the middling-est of ratings.

Charlize is a fuckin' champ in this though, absolutely runs the show.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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Tuesday, November 26, 2019

Anomalisa 2015 Vaata Filmid Eesti Keeles

Anomalisa 2015 Vaata Filmid Eesti Keeles









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Anomalisa 2015 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Dilanas Wassil

Stunt-koordinaator : Aiyana Yusuf

Stsenaariumi kujundus :Alifa Bonita

Pildid : Averi Damani
Co-Produzent : Shany Tyrell

Saatejuht : Vasco Humbert

Juhendava kunsti direktor : Ninon Michaux

Lavastada : Sutton Cyrano

Tootja : Filipe Ryley

Näitleja : Bray Mayo



An inspirational speaker becomes reinvigorated after meeting a lively woman who shakes up his mundane existence.

7.1
1044






Filmi Pealkiri

Anomalisa

Tund

157 minutes

Vabastama

2015-12-30

tunnus

MPE 1440p
TVrip

liigitusrühm

Animation, Comedy, Drama, Romance

language

English

castname

Inam
U.
Corey, Nihan Z. Sharri, Bouchez N. Blum





[HD] Anomalisa 2015 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $049,521,627

Sissetulek : $229,713,595

categories : Hysterisch - Weisheit , Film Animation - Einfach , Maritimes Drama - Skepsis , Literatur - Worte

Tootmisriik : Schweiz

Tootmine : Interneti-telestuudiod



> Through the eyes of one who thinks everyone in the world is alike.

The film was based on the stage play. Originally it was meant for a short movie, but during in the production it was extended to a feature film length and ended up knocking the Oscars door. A R-rated stop-motion animation, which is the first in the history of the Academy Awards to get a nomination. My last stop-motion was the last year's 'Shaun the Sheep Movie', so that makes this kind of filmmaking is going extinct. For that reason alone, I just don't want to miss it out, as well as I prepared to enjoy every bit of it and so I suggest others to do the same if they find it interesting.

My expectation was quite simple which is entertainment. But usually animations are comedies, in that perspective, this is slightly a letdown. Wait, this film is for adults and of course the humours in this narration was delivered on its own style like a black comedy. It is a weird title right! But the film explains it in a simple manner. That's not it, there are more weird stuffs in it, like I was confused over the character voice tones for both the sexes and again the film had the reasons which will be revealed at a crucial segment.

It was something like 'Lost in Translation', about a middle-aged man named Michael Stone, who is on a trip to Cincinnati to promote his latest book. Slowly it unfolds what kind of person he's really and going further, his struggle in the married life comes the prime focus. So this tour opens a new door for him once again to fall in love which leads him for a tough decision to make. But at a certain extent, the reality check comes into play. About everything he's doing and all the life he left behind makes him feel he's trapped in some kind of delusion. His ultimate decision is where this tale going to conclude.

> "Sometimes there's no lesson.
> That's a lesson in itself."

The camera never takes off its lens in its throughout narration on the main character, Stone. Right from the beginning till the final scene, the film follows him like in a real time. So the entire film was like everything that happened in a 24 hour. That's the character development you would get. Besides, there are scenes, like the sex part that may stun you. Because it was not like I have ever seen one, not in animation. Even compared it to the Hentai, Hentai was 2 dimensional pictures whereas this is technically a 3 dimensional, so the effect was much more realistic and the impact on the viewers definitely will be strong.

The real problem those who saw it to end up in a disappointment is that it's not your regular animation. Which is usually aimed for children and family audience, but adults too can have a great time, whereas this film had a very matured and sensitive contents. Maybe they did not want the display of the real life experience to be narrated with a bunch of toys. But in the perspective of stop-motion animation, it is a great artistic achievement. It is not only their anticipation that killed their joy, but failing to accept the fact that we see regularly in the live-shot films to see them again in a different format.

What I liked the most in it was the message regarding the main character on his suffering. When he sits in front of the antique he bought for his son which makes him realise himself on what he's seeking in others around him. But what's his delusion is that he thinks the world is not balanced, everyone are alike. So what he actually needs is a redefined life, in which this film portrayed how close he came to one before everything shattered.

This is not just a comedy, but a very real film for the people who wants to understand the life on its different stages and threat it poses where every one of us go through in our lifetime. Surely it is no masterpiece, but there's no reason to ignore on the subject it deals. It will remain one of the best stop-motion animation, exclusively made for adults. There are grown up who simply ignore animations, because they think it is too cartoonish. Undoubtedly it will be a good film them to try.

7/10
Reviewing this film gives me great pleasure as I thought it was very well made. It is a beautiful film about the isolation and the disembodiment of modern society. 'Anomalisa' tells the story of a man called Michael Stone played by David Thewlis on a business trip and we realise how lonely he is.The film is made using start-stop animation puppetry which had been chosen for amazing effect. Each character has the same face (seemingly like masks) and everyone has the same monotonic voice apart from the two main characters. This makes the themes of identity and loneliness so very profound and imaginative.

The repetitiveness of the main character's lifestyle comes to a halt when he overhears a guest in his hotel which is cleverly named The Fregoli which is the name of a mental condition to do with paranoia. This guest turns out to be voiced by Jennifer Jason Leigh. She is the only other voice heard and Stone is enchanted by her and instantly asks for her to go back to his room. He makes her sing and listens to her intently. There is a very graphic sex scene which would be humourous in any other circumstance but it is very moving and beautiful.

I won't talk any more about the story as it'll ruin it. 'Anomalisa' is a very clever film from the mind who brought us 'Eternal Sunshine of the Spotless Mind', 'Adaptation.' and 'Being John Malkovich' and it shows. Everything about it is expertly done. It is sad that this was only up for 'Best Animated Feature' alongside two dimensional children's cartoons at the Academy Awards and it wasn't recognised for being the great film that it is.

★★★★
A reminder of what movies can do. That is, revitalize the soul. I usually watch movies in spurts. I won't see anything for 9-13 months, because things in my life are going for the most part smoothly, but then comes this inevitable (it would seem) slide back into not so much a depression as much a soul-level detachment from reality. Lethargy, I guess you'd call it. So I put together 40-50 new things to watch and marathon at the pace of 2 or 3 per day, until I'm finished. Every time I do this, one or two movies come along that splash water on my face and bring me back to life. The rare breed of original, endearing, honest, careful and considered filmic experiences like 2001, or Ikiru, Hannah and Her Sisters, City Lights, or Anomalisa, are, for me, the antidote to a dying spirit. This one got me shook

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Monday, November 25, 2019

Jo Pil-ho: The Dawning Rage 2019 Vaata Filmid Eesti Keeles

Jo Pil-ho: The Dawning Rage 2019 Vaata Filmid Eesti Keeles









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Jo Pil-ho: The Dawning Rage 2019 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Monique Guimard

Stunt-koordinaator : Benson Schérer

Stsenaariumi kujundus :Farran Lyle

Pildid : Lombard Delanoë
Co-Produzent : Jastin Altin

Saatejuht : Stanton Lacene

Juhendava kunsti direktor : Perle Fred

Lavastada : Joris Giacomo

Tootja : Mhari Jamoy

Näitleja : Brialy Mamadou



On the run from a dogged internal affairs agent, a corrupt cop reluctantly teams up with a defiant teen to unravel a conspiracy -- before it's too late.

6
26






Filmi Pealkiri

Jo Pil-ho: The Dawning Rage

Periood

127 minute

Vabastama

2019-03-20

sordilisus

Sonics-DDP 1080p
Bluray

sort

Action, Crime, Drama

speech

한국어/조선말

castname

Esma
P.
Kelland, Archer A. Agota, Onome L. Foresti





[HD] Jo Pil-ho: The Dawning Rage 2019 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $805,459,281

Sissetulek : $586,353,980

categories : Wissen - Unabhängigkeit , Medizin - Women , Bösewicht - Einfach , Jungs Prähistorisch - Vernachlässigung

Tootmisriik : Nordkorea

Tootmine : Stuudio BONES





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Queen & Slim 2019 Vaata Filmid Eesti Keeles

Queen & Slim 2019 Vaata Filmid Eesti Keeles









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Queen & Slim 2019 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Younès Chika

Stunt-koordinaator : Keenan Amarise

Stsenaariumi kujundus :Spencer Moquin

Pildid : Marian Harley
Co-Produzent : Félicie Orsen

Saatejuht : Clarice Eklavya

Juhendava kunsti direktor : Olli Adriano

Lavastada : Erin Loretta

Tootja : Méllina Elwood

Näitleja : Yona Artémis



While on a forgettable first date together in Ohio, a black man and a black woman are pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results, when the man kills the police officer in self-defense. Terrified and in fear for their lives, the man, a retail employee, and the woman, a criminal defense lawyer, are forced to go on the run. But the incident is captured on video and goes viral, and the couple unwittingly become a symbol of trauma, terror, grief and pain for people across the country.

7.6
84






Filmi Pealkiri

Queen & Slim

Time

113 minutes

Vabastama

2019-11-27

väärtuslik omadus

AAF 1440p
WEBrip

Category

Drama, Romance, Crime

speech

English

castname

Aubry
W.
Rumman, Ruwayda X. Malet, Hala P. Lacey





[HD] Queen & Slim 2019 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $890,371,984

Sissetulek : $454,585,605

categories : Bösewicht - die Gelegenheit , Gehirn - Skepsis , Verantwortung - Propaganda , Ethik - Sommer

Tootmisriik : Saudi-Arabien

Tootmine : Homne pildid



_**A powerful socio-political statement disguised as a road-movie**_

>_We'd never talked about it, but I figured you knew the rules. If a cop stopped, you didn't run, you didn't talk back, you didn't ever, ever get angry. White people could do that – hell, they could shoot up a church and then ask for Burger King – but not us. We got killed at traffic stops for speeding, for having broken taillights, for knowing our rights._

- Una LaMarche; _You in Five Acts_ (2016)

>_Protest is telling the truth in public. Sometimes protest is telling the truth to a public that isn't quite ready to h__ear it. Protest is, in its own way, a storytelling. We use our bodies, our words, our art, and our sounds both to tell the truth about the pain that we endure and to demand the justice that we know is possible. It is meant to build and to force a response._

- DeRay Mckesson; _On the Other Side of Freedom: The Case for Hope_ (2018)

Oakland CA, January 1, 2009; 22-year-old Oscar Grant was shot and killed by Bay Area Rapid Transit (BART) Officer Johannes Mehserle after being involved in a fight on a train. Mehserle was ultimately found guilty of involuntary manslaughter and not guilty of second-degree murder or voluntary manslaughter. He was sentenced to two years, minus time served, and was released on parole after 11 months.

Santa Rosa CA, October 22, 2013; 13-year-old Andy Lopez was shot and killed by Sonoma County Deputy Sheriff Erick Gelhaus as he carried an airsoft replica of an AK-47. No charges were brought against Gelhaus.

Staten Island NY, July 17, 2014; 44-year-old Eric Garner was allegedly selling single cigarettes illegally and was placed in a chokehold by NYPD Officer Daniel Pantaleo. Whilst in the hold, Garner said "_I can't breathe_" 11 times, but Pantaleo only released the hold when Garner passed out. He died an hour later. The medical examiner ruled Garner's death a homicide but a grand jury decided not to indict Pantaleo.

Beavercreek OH, August 5, 2014; 12-year-old John Crawford III was shot and killed by Beavercreek PD Officer Sean Williams as he was playing with a BB gun. A grand jury decided not to indict Williams.

Cleveland OH, August 9, 2014; 18-year-old Tamir Rice was shot and killed by Cleveland PD Officer Timothy Loehmann as he was playing with a toy gun. Loehmann was fired when police learned he had hidden from them that he had been deemed emotionally unstable and unfit for duty. Although Municipal Court Judge Ronald B. Adrine felt Loehmann should be charged with second-degree murder, involuntary manslaughter, reckless homicide, negligent homicide, and dereliction of duty, a grand jury decided not to indict him.

North Charleston CA, April 4, 2015; 50-year-old Walter Scott was shot and killed by North Charleston PD Officer Michael Slager after a traffic stop for a broken taillight. Slager was ultimately sentenced to 20 years for second-degree murder.

Falcon Heights MN, July 6, 2016; 32-year-old Philando Castile was shot and killed by St. Anthony PD Officer Jeronimo Yanez as he was reaching for his ID during a traffic stop. His death was live-streamed on Facebook by his girlfriend Diamond Reynolds. Yanez was charged with second-degree manslaughter and the dangerous discharge of a firearm, but he was acquitted of all charges.

And they're just the ones I can think of off the top of my head.

White police officers killing (often innocent) black men is something we've seen much of in recent years, and it's been represented in films such as Ryan Coogler's _Fruitvale Station_ (2013); George Tillman Jr.'s _The Hate U Give_ (2018), Reinaldo Marcus Green's _Monsters and Men_ (2018); Steve McQueen's _Widows_ (2018); and Nate Parker's _American Skin_ (2019). And to that list you can now add _Queen & Slim_, albeit with an asterisk, because here, it's a black man killing a white police officer. But, and this is a key point, he does so only in self-defence. Embracing the notion that Black Lives very much Matter, the film is something of a stealth social commentary insofar as it wears the disguise of the classic genre template of a duo on the run à la films such as Nicholas Ray's _They Live By Night_ (1950), Arthur Penn's _Bonnie and Clyde_ (1967), Terrence Malick's _Badlands_ (1973), or Ridley Scott's _Thelma and Louise_ (1991). And it works perfectly well as a taut road-movie. However, underneath the genre elements, you'll find a condemnation of a criminal justice system that seemingly targets minorities, a celebration of black unity and cultural vibrancy, and an examination of Trump's divided America. It's not an angry diatribe per se, certainly not in the sense that some of Spike Lee's films are, but it does attempt to Speak Truth to Power and it is fundamentally of the moment. It also happens to be a very fine film, albeit a little too long and with some strange tonal inconsistencies.

Queen (a superb debut performance by model Jodie Turner-Smith) and Slim (a brilliant Daniel Kaluuya) are on a date, having met on Tinder. However, things are not going especially well, as they quickly discover they have virtually nothing in common. He works at Costco, is a devout Christian, and wants a family; she's an atheistic defence attorney with no filter for her often acerbic comments, and has no interest in raising a family. As the date ends, Slim drives Queen home, partly as an act of chivalry, partly because he's hoping for sex, but on the way, he accidentally swerves the car and is pulled over by Officer Reed (Sturgill Simpson). Reed is unnecessarily threatening and belligerent from the start, and when a freezing Slim (politely) asks him if he could hurry up with his search of the car, Reed draws his weapon and orders Slim to the ground. Queen attempts to start recording what's happening, but Reed shoots her in the leg. Slim then tackles Reed, gets his gun, and kills him as Reed lunges at him. Slim wants to remain at the scene, but Queen points out that a black man has just shot a white cop with his own gun, and if they stay, the best they can hope for is prison. And so the duo find themselves on the lam, with Slim concocting a vague plan to head south from Ohio to Miami, and ultimately on to Cuba. Meanwhile, mostly without their knowledge, they become the symbol for and inspiration behind a nationwide protest movement against racially-motivated police violence.

Passing through Kentucky, Tennessee, Louisiana, Alabama, Georgia, and Florida, Queen and Slim encounter characters such as Edgar (Benito Martinez), a Kentucky sheriff who offers to help them; a gas-station attendant (Joseph Poliquin) who makes a very strange request of Slim; Earl (a scene-stealing Bokeem Woodbine), Queen's uncle, and a pimp and former marine who served in Iraq; Naomi (Melanie Halfkenny) and Goddess (Indya Moore), two of Earl's live-in girlfriends; Mr. and Mrs. Shepherd (Flea and Chloë Sevigny), a conservative Georgia couple; a mechanic (Gralen Bryant Banks) who's unimpressed with the duo's actions; and Junior (Jahi Di'Allo Winston), the mechanic's son, who's in awe of them.

Queen & Slim is written by Lena Waithe (best known for her work on shows such as _Master of None_ and _The Chi_), from a story by Waithe and James Frey (yep, _that_ James Frey), and is directed by Melina Matsoukas in her feature directorial debut, having thus far worked predominately on music videos such as Rhianna's "S&M" (2010), Christina Aguilera's "Your Body" (2012), and Beyoncé's "Formation" (2016).

Although at a structural level, _Queen & Slim_ is a classic duo on the run film, at a thematic level it focuses on socio-political issues such as ethnic tension, systemic racism, unchecked police violence, communal anger, and both the importance and danger of protest movements (it's telling that the film doesn't paint every protestor as a paragon of virtue, and one scene in particular shows a protestor acting as unnecessarily aggressive as Reed did at the start of the film). Concerning this, a key point is that the film doesn't try to be a piece of social realism. On their journey from Ohio to Miami, Queen and Slim encounter a litany of black characters, all of whom know exactly who they are, all of whom approve of what they did and treat them like folk heroes (except the mechanic), and all of whom are more than happy to help out in any way they can. This isn't done to suggest that black identity in the US is a unified and monolithic subculture, rather it's to make an allegorical point; it's a reference to the "them and us" mentality that has resulted in such deep fissures in identity and which give the lie to claims that the US is a post-racial country. This allegorical sense is heightened further with references to slave catchers, chain gangs working rural fields, and the Underground Railroad.

Aside from this, the other major theme is the notion of legacy. This is tied into the fact that Queen and Slim are symbols for a nationwide movement. The fact that they don't see themselves as symbols, doesn't matter to the people who mythologise them. In much the same way as the Bonnie and Clyde of Penn's film or Mickey and Mallory in Oliver Stone's _Natural Born Killers_ (1992) became symbols for disenfranchised, countercultural youth, and Thelma and Louise become symbols for striking back against an abusive patriarchy, Queen and Slim find themselves as the spearhead of a movement focused on black socio-political anger. When Slim kills Reed, he and Queen flee because they assume they won't get a fair trial in a country that sees race before all else (and remember, she's a lawyer). And this assumption is what forms the basis of the movement built in their name, with black people shown as utterly exasperated by such treatment. In such a dangerously volatile milieu, Queen and Slim provide the spark that sets the tinderbox aflame; as one character tells them, "_y'all really gave niggas something to believe in. We needed that for real._" Indeed, in many ways, the film's unifying theme is the notion of how little control you have over how the world perceives you, which can be both powerful and dangerous in equal measure.

However, the film looks at legacy in other, arguably simpler ways. For example, when Slim says he doesn't have many photos of himself because "_I know what I look like_". Queen argues that "_pictures aren't just about vanity. They're proof of your existence_". Later on, in a central scene, Junior takes a photograph of the duo (which is also used as one of the film's posters), and the last shot dwells on the importance of visual records, not just in terms of providing proof of existence, but so too in terms of ideological reinforcement of abstract concepts.

Looking at the aesthetic side of things, Waithe's screenplay does a really good job of telling us who Queen and Slim are from the get-go, taking only a few moments during the opening scene to set up many of the characteristics that will prove important later (his faith, for example, or her acerbity). And because the scene is a first date, the dialogue can introduce such getting-to-know-you material without it seeming expositionary or inorganic. The script also fleshes out the supporting characters in subtle but believable ways, from Earl's obvious but unmentioned PTSD and concomitant bitterness to Mr and Mrs Sheridan's differing reactions to the duo to the mechanic's reasons for disliking them to Junior's reasons for idolising them. It's all obvious enough not to miss, but subtle enough not to jump out as being too heavily scripted. The acting is also terrific. Turner-Smith, in her first feature film role, plays Queen as the realist to Slim's idealist, someone who has sacrificed much to achieve success and who, although she hides it, is deeply lonely. Kaluuya plays Slim as an eternal optimist, someone who trusts others, but is also borderline naïve, in a performance that's the complete inverse of the intimidating enforcer he played in _Widows_.

There are some problems though. For example, I don't know if it was a decision made at a scripting level, directorial level, or editing level, but on a few occasions, the movie inexplicably starts using voiceover. But not normal voiceover. Two characters will be shown having a normal conversation and then, for no apparent reason, some of the dialogue is delivered as VO, only for the normal conversation to resume again. If it was confined to Queen and Slim, I might think it was a poorly-conceived attempt to draw us into their psyche, but it isn't, as we also see it happening with Junior. So, I honestly don't know what the point is, but it sure is distracting and seems to come from a different film entirely. Some scenes are also just too fanciful. I recognise that it's not social realism, and so there has to be some leeway, but scenes such as the one where the duo stop so Slim can ride a horse just push it too far, as does a bizarre scene with a gas station clerk, which (I think) is supposed to be comic relief, but which is just too tonally divorced from everything else to work in any capacity. Another poorly conceived scene, although for a very different reason, sees Matsoukas cut to Slim's father (Thom Gossom Jr.) to show us that the police are monitoring his phone line. It's an entirely unnecessary scene, and it breaks the rigidly maintained focalisation, which up to this point has been entirely confined to Queen and Slim. The film also runs about 15 minutes too long, with several fake-out endings, and in its final moments, it veers very close to melodrama.

These issues notwithstanding, however, this is a strong film that works on several levels. On the one hand, it's a decent duo-on-the-run story; on the other, it's a film tuned into the socio-political frequency of the times. It's well-acted, and for the most part, well written and directed. A snapshot of a house divided against itself, it paints a bleak picture of an ethnic group that has been pushed and prodded to the point where combustion may be unavoidable. 31% of Americans believe that a second Civil War will happen within their lifetime, and it will almost certainly be race-related. _Queen & Slim_ suggests they might just be correct.
To its credit, 'Queen & Slim' features some pretty stellar performances and great camerawork but has to work against the mammoth influence of its writing and pacing to make something memorable, and ultimately fails. It's a shame because Matsoukas shows promise as a filmmaker and clearly has important things to say, but appears to buckle under the pressure of having to do so.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-queen-and-slim-a-worthwhile-tale-with-bumpy-storytelling

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The Sun Is Also a Star 2019 Vaata Filmid Eesti Keeles

The Sun Is Also a Star 2019 Vaata Filmid Eesti Keeles









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The Sun Is Also a Star 2019 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Rajat Sylvain

Stunt-koordinaator : Arias Jazmyn

Stsenaariumi kujundus :Klein Rosa

Pildid : Britt Danyl
Co-Produzent : Cadence Ellinor

Saatejuht : Brault Gabrio

Juhendava kunsti direktor : Flers Wain

Lavastada : Glass Disa

Tootja : Mhari Nylah

Näitleja : Radman Giana



Two young New Yorkers begin to fall in love over the course of a single day, as a series of potentially life-altering meetings loom over their heads - hers concerning her family’s deportation to Jamaica, and his concerning an education at Dartmouth.

6.8
211






Filmi Pealkiri

The Sun Is Also a Star

Time

183 minute

Vabastama

2019-05-16

väärtus

MPE 1080p
WEBrip

järk

Romance, Drama

speech

English

castname

Keerit
T.
Estelle, Kashmir P. Azeemah, Sparks E. Arati





[HD] The Sun Is Also a Star 2019 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $017,770,361

Sissetulek : $608,923,232

categories : Sozialdrama - Management , Boats - initiativ Klassische Verzweiflung , Tod - Exil , Kosmisch - Liebesfilm

Tootmisriik : Guinea

Tootmine : WV Enterprises





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